Friday, May 23, 2008

Chapstick Weekly v4


Chapstick Weekly-ish
For the prudent gentleman or gentlelady

Steam Rollin' Freight F'n Train Mix

Germany to Germany – Ratatat 
LOST CONTROL UFO! REMIX3 2 – The May Fire 
Heavy Heart – Ghostland Observatory 
Untrust Us – Crystal Castles 
Treehouse – I'm from Barcelona 
Wanderlust (Ratatat Remix) – Bjork 
Pop the Glock – Uffie 
Till We Got You And Me –  Cassius 
Wrestlers (Sticky Dirty Pop Mix) – Hot Chip
Trash the Rental (Crystal Castles Remix) – Sohodolls 
Sweaty (Shazam Remix) – Muscles 
Little Bit – Lykke Li 
I Liked the Boys – The Long Blondes
Hold On – Holy Ghost!
Fool for Love (Sebastion Remix) – Das Pop
Martha Ann – David Karsten Daniels


Albums in my Car
Elbow, The Seldom Seen Kid 
Ratatat , Classics 
Elvis Costello, Momofuku
Justice, Cross
Hot Chip, One Pure Thought EP



Local Band, Mardelay

Well, hello spur of the moment decision!  I am reviewing Mardelay, a local Indianapolis band that contains my friend, Mo (alias Emily Richardson), in the capacity of Cello/Keys/Backing Vocals. 

I caught up with them on Saturday night at the Mine Shaft in Broadripple, but...let's rewind to a more distant past momentarily.  To Birdy's.

Birdy's Nightclub, a mile-ish distance from the Broadripple strip has a creeping decoration of wall-to-wall band flyers, posters, stickers, and other memorabilia.  It is a place for a band to come and cut their proverbial teeth, giving local bands an opportunity to share the stage with rising national acts, and to perform in the shadow of famous after-hours appearances including Prince.

The high stage sits in an isolated corner of the room, no less than 16 ft. away from the tall tables and chairs that line the back wall between the back door and the bar.  A balcony overlooks this expansive, mostly unused, dance floor from the far side of the room.  There are vacant pool tables in well-lit back rooms.

Mardelay played their second set of the evening, the first being at another small local place.  Their singer had strep throat or something of that nature.  

Even so, their performance was practiced and dignified.  Opening unexpectedly with a guitar/cello duet with a primacy on vocals, the band quickly silenced the surrounding chatter and replaced it with a melodic intro.

As the other band members meandered casually onto the stage, their instruments added to the mix, eventually providing a full-fledged onslaught of overdriven sound.  I was surprised and pleased to see the incorporation of keyboard on a few songs, as well as background vocals on several tracks.

Although the grace of this introduction song was not quite captured again, the band's sound seemed to be very deliberate in its style and presentation.  The members obviously have been working hard together, and their ability to take cues from each-other on stage was apparent.

Mardelay's EP release is expected this July.  Check them out!



What's New to Me and Maybe New to You

Who is this band?  That's what all the kids are saying aka what is the general response upon first listening to this group.  The crystaline peals of the lead singer's voice ring true, but make it incredibly difficult to sing along to.  And you're going to want to!  The catchy, meaningful lyrics of their bouncy songs are irresistible when it comes to singing them loudly (generally incorrectly).  Also, I find myself dancing with a funny crooked neck when this music is on.

"I have built a treehouse!  I have built a treehouse!  Nobody can see us: It's a You and Me House!" with a banjo/mandolin/oohs/aahs backing and full-on danceability.  I think they are probably not from Barcelona, as I, for some reason, can't really picture a Spanish treehouse.  Imagining that such things exist are beyond me.  This band reminds you of something you can't quite put your finger on, but don't really feel pressure to dwell on.  (ps. they are Swedish.)

Wild as in Amazonian rainforest wild!  Their music is such an amalgam of styles and influences that it is literally impossible to classify – and it sounds as if it's all created between a Swedish songbird and a Nord drummer.  And it is! As Swedish pop duos go, they match the Scandinavian eccentricity that you'd expect, ranging from jumprope chants (with the backing of hand-made peacedrums) to nostalgic blues in the scope of each song.  Any way you look at this band, it is a fun listen with its own brand of energy: an experience in itself.


In Case You're a Dummy

Buy the Ratatat, Classics disc.  The building, diving, powerful music is good for all occasions.  Don't be alarmed! It is instrumental.  Four sets of cascading guitar riffs and melodies, harmonizing synthesizers, driving beats, and all-around well-produced effects.  This album has some danceable tunes, but the most enjoyment can probably be had as driving background-music inspiration.  Katie Jones once said that this would be one of the best CD's to have in the background of a runway show.  And she knows things like that.  


The Alamo: Broken Social SceneBroken Social Scene 

Remember Broken Social Scene, Broken Social Scene?  What a revelation of music!  What a revelation of the soul itself.  This extremely large band leaves an extremely large impression on your understanding of music by the end of this self-titled release.

The collection of talent on this band is astounding.  And, to use the expression, the combination puts everything in its right place.  

The creation and execution of each track is organic, with instruments and harmonies playing delicately off eachother as if they were two trees that had grown together, their branches playing into intricate patterns as they grow seamlessly, unmistakably together.

From straightforward, rocking tracks, to songs with elaborate percussions, confusing songs about getting cortizone in your eyes or Canadian armament, and songs whose lyrics will cause a knee-jerk reaction on a first date, this album can do nothing but please the avid music listener.



Technology for Sounds: iLike 

Omg, I'm totally like reviewing a facebook app.  But!  Lo-and-behold!  It is an independent app!  You can plug this directly into iTunes for recommendations, band updates and more!  iLike, despite its connection to a shameless social network site, is a wholly useful and integrated piece of technology.  After loading in the titles of bands, the application automatically updates you when bands post local shows, new videos, blogs, photos, music, etc. etc. The "Local Shows" utility of this application is worth getting on facebook just to make use of.  Within the facebook world, you can also dedicate songs and videos using this application, making it another useful way to share music.


Some Things Are Funny
Like Solo Dance Parties.  We all have them.  Don't deny it.  Here is the first ever! Chapstick Weekly Self-Help Solo Dance Party Tips and Tricks Recommendations and Techniques List!

1. Always dance with your eyes open.

What is closing your eyes going to do?  You might run into something besides.  It is good practice to have your eyes open, in case you decide to muster up the courage to dance in front of other people.  You don't want it to look like you're on drugs, or that you are picturing making out with yourself.

2. Make a serious face.  Really serious.

This makes you look more serious.

3. Try to wear what you would ordinarily wear.  

It is a romantic thought that you would dance around in your underwear, or bare foot, or in a snow suit, but really.  Stripping by yourself is silly, a stubbed toe is dangerous, and you'll quickly overheat in a snowsuit.

4. Take risks that might get you caught dancing by yourself.

Like leaving the door unlocked after you have invited guests over.  I have tried this a lot, and no one has ever really thought it was weird for me to be dancing by myself.

5. Try dancing to a Chapstick Weekly Mix.

That's why they are there, dummy!  The songs may inspire you to move in an unexpected way.

6. Don't move your arms so much.

Everyone remembers the Elaine.  Even more so, arm movements generally are a lazy way of dancing.  Once you eliminate the arms, moving everything else becomes much more important.  Then you can really get down to business.

7. Name your dance moves.

If you feel like you look like some sort of exotic animal, the name will probably be appropriate.  Other name suggestions include: out-of-date appliance brand names, city street names, former vice presidents, and backyard game items.

8. One thing to Note:

Once you are a stage performer, I encourage you to break all these rules.  Where would we be if frontmen didn't dance in snowsuits, smiling, eyes closed, with their arms outstretched like they are a four-year-old make believing they are an airplane?

In summary, a wise man once told me, "If it feels good, do it."  And that's all she wrote!  For your dancing!


Next Week: 
Margot & the NS&S's Interview, Clap Your Hands Say Yeah! and more gloss for those puckering kissers.

Wednesday, May 7, 2008

Chapstick Weekly v3















Chapstick Weekly-ish

For the prudent gentleman or gentlelady

Livin’ and Sinnin’ Mix

Oh, Heaven Isn’t Real – David Karsten Daniels
True Affection – The Blow
Said So What – French Kicks
Downtown – Heloise & The Savoir Faire
I Want to Be Buried in Your Backyard – Nightmare of You
Free to Stay – Smoosh
Kill the Director (CSS Remix) – The Wombats
Sad Sad City – Ghostland Observatory
Mr. Sexy Boy – Chin Chin
Grounds for Divorce – Elbow
Secret Identity – The Jealous Girlfriends
Jackie Junior (Junior Boys Remix) – Sally Shapiro


Albums in my Car

Colin Meloy, Colin Meloy Sings Live!
Cassius, Au Reve
Apparet & Ellen Allien, Orchestra of Bubbles
Broken Social Scene, Spirit If
Smoosh, Free to Stay
VHS or Beta, Night on Fire


Ghostland Observatory: A Recap

Entering the Metro to a DJ mix from DJ Bald Eagle (you don’t like DJ Bald Eagle, well you can giiiiit out), smoke machines on overdrive, and volume turned low, I didn’t know quite what to expect. Ghostland, new on the national scene from Austin TX, is a simple duo that creates a lot of sound with their music.

Once the concert began, little was needed in way of expectations. Ghostland erupted in a fury of energy, lights, and innovative music that was among the best I’ve seen live. The music man, playing drum, keyboard, electronic things, keyboard, etc. and decked out in a cape remained relatively fly-on-the-wall, but the front man.

I know I say wow a lot, but wow. His entire being displayed the vivacity and wonder needed to lift an entire Metro crown up on his shoulders and still dance under the weight. Wearing his hair in American-Indian style braids, sunglasses, a light leisure suit, and crotch-highlighting tight white pants, he moved to the inspiration of the music he was creating. We, in the crowd, all followed suit.

Worth mentioning is the incredible light/strobe/fog display that the band used. I haven’t seen a lot of concentration on light work, as it seems most bands leave the light effects up to the house. But the more intense light show definitely contributed to the overall experience of the concert.


What’s New to Me and Maybe New to You

Smoosh
This band will put a smile on your face. They are just the typical friendly, unpretentious, musically talented indie-pop duo. Except for that they are sisters under the age of 16. This album was created as a duo, but the third sister has recently joined, making this literally fun for the whole family. Music is heavy on the piano, features lush, intelligent vocals with minimalist bass and guitar parts strewn about. A great find!

Apparat & Ellen Allien
This recent collaboration between Apparat and Ellen Allien is hard to place, as you could hear this in a salon, an upscale trendy restaurant, or on a stereo while you’re getting ready. The solid combination of influences puts some enjoyable drumlines, bass, and vocals in the air that ranges in moods from pensive to heartbroken to danceable, and will have you look up toward the end of the album and say something to the point of “Is this still the same disc? This is amazing.”

Caribou
Caribou caught my eye on the Free Design remix album, and has recaptured my attention with their release Andorra. This release starts of solidly with a quick tempo, and adds layers upon layers of complicated harmonies for a beautiful presentation. Andorra is a tiny undiscovered country in Western Europe, which is a lot like Caribou – independent, sovereign, and I have no clue where they came from. Side note: Microsoft Word recognizes Andorra as a real word.


In Case You’re a Dummy
Buy the Magic Numbers, Those the Brokes disk. This disc has been out for awhile in Europe, but its recent re-release in America sadly went relatively undiscovered. Every song on this album is great. Let me emphasize that again. Every amazing song on this precious album is delightful. They have the sort of hopeful heartbrokenness that can only be experienced by those people that have been there. This album includes some quicker songs that you can’t but to dance to, and some that will draw you in, pull you face down in the dirt, then make you feel better about life in the end.


The Alamo: Radiohead, In Rainbows

Remember Radiohead, In Rainbows? Wow. And that song Reckoner? Religious. Radiohead outdid themselves again because, really, who else remains for them to out do?

Reviewing Radiohead is hard to do. What remains to be said, really, and what could I possibly add to the minds of already fervent fans, feverish first-time listeners, or those that are utterly unexposed?

Let me relate to you a story instead. Taylor and my adventure to see Ghostland Observatory in Chicago ended with a short road trip across the great state of Indiana to a lakehouse on the east side of the state. Across the way, we traded playing tracks on the iPod, where we came across Reckoner.

The minimalist presentation of this song - its full percussion sound, gently flowing simple guitar/bass melody, the scent of a piano in the distance – all presents a vast changing of the tide on an empty shoreline from which surfaces Thom Yorke’s voice, a strongly solitary presence that breaches from the waves only to retreat again before the song ends. This is what music can be.

This song leaves me breathless upon every listening. And it is just one song on an album that is inevitably crowded with songs that challenge your understandings of what a single band’s limitations are in diversity, talent, presentation, spirituality, and getting down to a personal level with a listener that they will never meet.

Technology for Sounds: Tour Filter

I wandered into this site while looking to buy my Ghostland Observatory tickets. And, although I haven’t spent a good deal on this site, it really pushed my mind for a loop. Like everyone, I have trouble keeping track of all the music I want to see live. This is an easily-accessible site that simply lists all the concerts in your area, concisely, with links to where to buy tickets. Voila.



Some Things Are Funny

Like Live Local Music. Let me rant for a moment, if you will. Or just let me continue ranting.

So I went down to the local place of Spin Nightclub in Indianapolis. They are full of the revival of the Indianapolis local music scene. If it can be called such a thing as revival, as my memory doesn’t extend backwards far enough to remember a thriving local scene.

I also went the Slippery Noodle, where, as far as I have noticed it, pace has never gone slack in providing live music to Indianapolis.

Don’t get me wrong, I don’t really make it a habit of hanging out at either place often.

The scenes are utterly different. You’ve got your Indie Rock/Junior Hiphop/Bad Punk/Old Favorite Local Bands From A Happier Era/Open Mic thing going on at Spin. Then you’ve got some Blues going on at Slippery Noodle.

The technical music talent at Slippery Noodle looks to be much better. By much I mean head and shoulders knees and toes better. The typical musician’s range of blues knowledge and skill allows them to skate seamlessly through Allman Brothers and Stevie Ray Vaughan songs. Slide guitar, complicated solos, band chemistry, and other crucial elements make the music good every night here. And you may not hear one original tune all night.

The opposite, in its extreme, exists at Spin. There is rarely anything that jumps out at you as extreme technical skill, innovative solos, band chemistry, etc. Just local bands playing their original songs. And by original I mean songs they wrote that are not usually that original anyway. Songs that sound like everyone else’s other songs. Same lyrical topics, same uninspired 4-bar verse chorus verse chorus bridge chorus. Same slowed-tempo drum-clanging musical-cacophony ends to every song that sounds the same as each last one.

The best musical nights at Slippery Noodle are the ones where they play blues favorites. That’s easy. Playing good original music is in most ways much harder.

The best musical nights at Spin still are the ones where bands are brought in that aren’t exactly local anymore. What is lacking in the local talent? What separates the original new bands from the old ones?

In my opinion it is music innovation, all the same. You want to write new songs? Well, write them like the new songs that are having success. Play the freaking keyboard (I didn’t see one keyboard between three bands the other night at spin). In fact, play anything electronic. That’s where the world is headed, in terms of new music.

I don’t mean change your f***ing name to Paul Oakenfold and get your tongue pierced. I mean, mix it up a bit and get some sort of loop machine, effects panel, sampler, delay pedal, something, and incorporate it into your music. It doesn’t even have to sound that electronic. A keyboard would probably do it!

The all-conventional-instrument bands play traditional forms of music. Traditional forms like blues, folk, and rock & roll. Indie has embraced electronic instrumentation. Harsh but true.

I’ve mentioned over 35 bands in these 3 newsletters. Everyone has something electronic going for them with the exception of 1. Sammy Hagar and 2. Colin Meloy Sings Live. Let’s admit Sammy Hagar, reborn today, would not be able to play anywhere. Colin Meloy sings just he and his guitar.

People included are such as Bob Dylan, Paul Simon, and Ray Charles who used the maximum amount of technology available to them to record and play music. Others include top downloaded Hot Chip, top iTunes rated Ghostland Observatory, Radiohead, red-hot Tokyo Police Club, and everyone else!

Why? Because even if you’re not into electronic music, using the latest available technology to produce music is a requirement of the times. The only exceptions are if you are bursting at the seams with talent, in which case, you are probably going to be playing complex blues covers at the Slippery Noodle.

That’s that. Play something with buttons, keys, and knobs. Or fade away into mediocrity. Rant over.


A little side note: No, I didn’t say anything about the new Portishead album. And that is just like saying something. Loudly. As in with a mouth hot with the fiery heat of blah.

Next Week:
Broken Social Scene, Justice, Elbow, Wildbirds & PeaceDrums, and more gloss for those puckering kissers.